The year 2018 brought about a lot of changes in the movie business. The #MeToo movement continued to make headway, with some more serial creeps getting outed while organizations such as Time's Up getting launched under the goal of protecting and helping out victims of sexual harassment and abuse inside Hollywood. Streaming services like Netflix continued to stake a claim in the moviemaking business, not just by releasing more movies than they've ever had before, but also by actually getting legitimate hits out of them (such as Bird Box) and by convincing more respected filmmakers (like Alfonso Cuaron, Tamara Jenkins, and the Coen brothers) to sign on and have their projects debut exclusively on their service. It seems we aren't now that far away from a Best Picture winner getting it despite premiering on-demand as opposed to exclusively in a theater (could it even be as soon as this February with Roma?).
The youth and the first-timers also continued to make names for themselves with confident, applauded debuts. This includes not just bright young actors creating breakout performances (like Madeline's Madeline's Helena Howard), but also established entertainers known for other types of work (such as comedian Bo Burnham, musician Boots Riley, and actor Bradley Cooper) following the footsteps of Jordan Peele (Get Out) and Greta Gerwig (Lady Bird) from a year prior with notable first-time directorial efforts. That said, the veterans and the establishment types still made bold artistic statements of their own, like Spike Lee with BlackKklansman and Paul Schrader with First Reformed. Some masters of the medium even managed to do this beyond the grave, such as the great Orson Welles and Sydney Pollack, who came out with a new movie (The Other Side of the Wind and Amazing Grace respectively) decades after their deaths.
Since 2013, this website has made it a mission to chronicle what were the motion pictures those whose job it was to watch and evaluate them believed were the cream of the crop. The first reason for this is for the purposes of preservation: to document what these people thought "great cinema" was at the period of time in which these new features premiered at once. The second reason is just for fun, since this is a blog written by a glazomaniac who likes to create and collect surveys and polls about a particular hobby of his (film). For the year 2018, this task was attempted once again. And now, after hours of data entry and Google searching, this website is proud to present the final results with yet another installment of the year-end top 85.
Before we kick off the countdown, here's a brief breakdown of how it was created. It's similar to how past years' countdowns were created, but it still bears repeating:
a) In total, 425 "top-10" lists were used (only one less than the amount used in 2017's list). I put "top 10" in quotes because I occasionally cheated and include some top 11-15 in the process as well, provided that those top 11-15 lists were unranked.
b) Most of these lists were assembled by American critics and publications. However, I did include a bunch of lists from critics out of Canada, Puerto Rico, the UK, Ireland, Poland, Italy, Spain, France, Australia, New Zealand, Iran, Peru, Brazil, and Russia (to name a few). So if you see a movie placed high that came out in 2017, it's likely because it made the list among critics whose countries couldn't see them until 2018 (like Phantom Thread).
c) Some of the critics lists I picked out weren't even from critics. I also included some top tens from that Indiewire article of acclaimed directors' favorite films, and even Barack Obama's top fifteen.
d) Staff lists counted as one person, and if a website had individual breakdowns of top-tens than I resorted to using each individual list rather than the staff list.
e) Points breakdown was similar to past years. For the standard 1-10 list, I give ten points to the #1 film, nine points to the #2 movie, and so on and so forth until #10 gets just a point. For the lists which are unranked or arranged alphabetically, I give each movie 5.5 points (because (10+9+8+...+1)/10=5.5). Some lists included had twelve movies (for some reason), and for those I gave each movie roughly 4.5 points. For the lists that have a #1 spot listed and the other nine unranked, I give ten points to the #1 movie and 5 points to each of the other nine. If they had the #1 and #2 listed, but the other ten unranked, then I gave the #1 movie 10 points, the #2 movies 9 points, and the rest of the top ten 4.5 points.
Does all that make sense? Good! So let's get started, with perhaps one of the more controversial entries into the top 85 out of the bunch:
85. VOX LUX (dir: Brady Corbet)
41 points
Few films were as polarizing as this Natalie Portman-starring feature about a woman's experience becoming a pop star after surviving a school shooting in high school. Some praised its brashness and storytelling choices, while others derided it with claims of pretentiousness and tone-deafness. That said, it's a movie that's bound to stir up discussion, which is definitely what you want to see from any kind of acclaimed movie.
84. THE WILD PEAR TREE (dir: Nuri Bilge Ceylan)
41.5 points
The first film directed by Ceylan since wowing Cannes jurors with Winter Sleep (ranked #25 on the 2014 countdown) and getting a Palme d'Or out of it. It's got Aydin Dogu Demirkol starring as an aspiring writer who returns to the Turkish village in which he grew up following college and encounters new experiences while also waiting to get his first novel published. This movie isn't officially premiering in the U.S. until January, so don't be surprised if it pops up again at the top 85 countdown next year.
83. DOGMAN (dir: Matteo Garrone)
42 points
An intense, violent movie about a dog groomer trying to escape the dog-eat-dog world (see, the title has multiple meanings!) of his Italian seaside town.
81(tie). LA FLOR (dir: Mariano Llinas)
43 points
Six different stories, each of different genres and with the first four stopping in media res. Clocking in at 13 hours and 28 minutes, with five intermissions in between, this has officially been rewarded the title of longest movie in Argentine cinematic history, as well as one of the longest cinematic releases ever. And you thought it was impressive that Twin Peaks: The Return placed high in last year's top 85? Betcha Lynch never suggested an audience sit in a theater to watch the whole thing in one day like Llinas did!
81(tie). BAD TIMES AT THE EL ROYALE (dir: Drew Goddard)
43 points
A star-studded cast that features Chris Hemsworth, Dakota Johnson, Jon Hamm and Jeff Bridges playing different characters spending the night at Lake Tahoe's El Royale, getting themselves in a whole heep of trouble. From the director of The Cabin in the Woods (#26 in the 2012 countdown).
80. TULLY (dir: Jason Reitman)
44 points
Yeah, so...Jason Reitman and Charlize Theron? Great duo to team up and make a good movie together. Young Adult (#37 in the 2011 countdown) showed this first, and now this movie about a middle aged mom going through a midlife crisis as her husband (Ron Livingston) hires a hip, young woman (MacKenzie Davis) to help her out with the housework following another pregnancy.
78(tie). CAPERNAUM (dir: Nadine Labaki)
45 points
A juvenile delinquent (played by Zain Al Rafeea) sues his parents for neglect and giving birth to him while living a tough life on the streets in Lebanon.
78(tie). BORDER (dir: Ali Abbasi)
45 points
In this mix of horror and comedy, Eva Melander plays Tina, a border guard with the innate ability to smell human emotions in order to catch people. She meets a man (Eero Milonoff) with a smell she cannot detect, and things begin to spiral down from there.
74(tie). THE SHAPE OF WATER (dir: Guillermo Del Toro)
46 points
When The Shape of Water won Best Picture in March, it was hard to believe at first given the description. A romantic story about a mute woman falling in love with a fish monster? Yet with big doses of empathy in the script, some solid acting, amazing production design, and even some love letters to the movies from Hollywood's golden age, Spanish director Guillermo Del Toro was actually able to wow enough members of the Academy to make that happen. It even managed to wow many non-American critics who had only seen it for the first time in 2018, hence it's placement on this countdown after appearing at #7 in the 2017 countdown.
74(tie). LOVELESS (dir: Andrey Zvyagintsev)
46 points
Premiering at Cannes in 2017 (and even winning the Jury Prize that year), this first film from Zvyagintsev since Leviathan (#28 in the 2014 countdown) tells a captivating story of a couple going through a tumultuous divorce, throwing chaos in the lives of their family members. It was nominated at the Oscars last year for Best Foreign Language Film.
74(tie). GAME NIGHT (dir: John Francis Daley, Jonathan M. Goldstein)
46 points
In a year completely lacking for mainstream American comedies, Game Night (a movie about a group of couples getting into a play-acting game that turns out to be more real than they imagined) stood out as one of the few bright spots. Hopefully more movies in the future can find as good of a balance in laughter and action as this was able to.
74(tie). DEAD SOULS (dir: Bing Wang)
46 points
An invaluable historical documentary chronicling interviews from various aging survivors of the Jiabiangou and Mingshui re-education camps, which were created by the Chinese Communist Party in 1957 as part of their Anti-Rightist campaign. Although this doc is not quite as long as La Flor, at 8 hours and 15 minutes it's definitely not a breeze to get through either.
73. THE OLD MAN & THE GUN (dir: David Lowery)
47 points
After last year's successful A Ghost Story (#10 on the 2017 countdown), David Lowery follows that up with a fun story starring Robert Redford as a bank robber that also turns out to be a tribute to the acting career of Robert Redford. It also stars Sissy Spacek, Danny Glover, and Casey Affleck.
71(tie). JEANETTE: THE CHILDHOOD OF JOAN OF ARC (dir: Bruno Dumont)
48 points
Yet another re-appearance from a movie out of 2017's countdown, this time from the Dumont musical feature that finished last year at 57th place.
71(tie). A BREAD FACTORY PART ONE: FOR THE SAKE OF GOLD & A BREAD FACTORY PART TWO: WALK WITH ME A WHILE (dir: Patrick Wang)
48 points
A married couple that run a community arts space in the town named Checkford deals with various issues, including the arrival of a rival theater helmed by famous Chinese actors and the changing of their town's landscape. Both parts of this series of films clocked in at two hours apiece. When it came to deciding whether to split these features up or praise them together, pretty much each critic that included them in their top ten listed them as a duo, hence why I'm putting them together on this list.
69(tie). LONG DAY'S JOURNEY INTO NIGHT (dir: Gan Bi)
49 points
A man returns to his home town (notice a theme developing among this year's top 85) in the hopes of reconnecting with a past lover. Earlier this month, this second directorial stint from the guy who made Kaili Blues (#57 in the 2016 poll) surprised everyone by becoming one of the few independent movies in recent memory to dominate the Chinese box office over the course of a weekend (albeit for hilarious reasons).
69(tie). INCREDIBLES 2 (dir: Brad Bird)
49 points
Arguably the best Pixar sequel not to have the name Toy Story in it, we see Brad Bird's story of a superhero family continue as this time, Holly Hunter's Elastigirl gets picked to become a superhero employee for a major tech company. Pretty much the entire voice cast (including Craig T. Nelson, Samuel L. Jackson and Sarah Vowell) return, along with the incredible animation.
68. CAM (dir: Daniel Goldhaber)
50.5 points
A horror thriller about an Internet cam girl (played by Madeline Brewer) who discover that her own web show has her replaced by an exact replica, co-written by an ex-cam girl (Isa Mazzei).
67. DID YOU EVER WONDER WHO FIRED THE GUN? (dir: Travis Wilkerson)
51 points
A director recollects the story from the 1940's of how his great-grandfather murdered a black man in the Deep South and got away with it, exploring it in detail while also providing context into race relations in America.
66. AMAZING GRACE (dir: Sydney Pollack)
52 points
In 1972, director Sydney Pollack (already an established filmmaker with movies like They Shoot Horses, Don't They? and Jeremiah Johnson) filmed the recording of Aretha Franklin's famous album Amazing Grace at a church in Watts, Los Angeles. However, due to sound problems during recording as well as successful attempts by Franklin to have the movie blocked from premiering on multiple occassions, the movie finally got released this year, just a few short months after Franklin herself passed away (Pollack died in 2008). Now fans of gospel, Aretha Franklin, and good documentaries alike can appreciate this celebration of the power of music and the black church.
65. READY PLAYER ONE (dir: Steven Spielberg)
55 points
Based on the 2011 book by Ernest Cline, Spielberg's CGI-filled latest centers on a kid (Tye Sheridan) attempting to survivor living in a powerful virtual-reality simulator named OASIS, with all its pop culture nostalgia and intrigue.
64. THOROUGHBREDS (dir: Cory Finley)
57 points
Starring Olivia Cooke and Anna Taylor-Joy, this directorial debut by Finley tells of the friendship that develops between two Connecticut teenagers (one who is lower-class and one who is upper-class) as they plan the murder of the upper-class teen's step-father (Paul Sparks). Besides learning to once again be beguilded by the bourgeois lifestyle, viewers can also witness one of the last posthumous roles of Anton Yelchin (who died in 2016) as an accomplice in the teens' plan.
63. AS IS THE PUREST WHITE (dir: Jia Zhangke)
62.5 points
The legendary Chinese filmmaker returns (not too long after his last effort, Mountains May Depart, finished 59th in the 2016 poll) with yet another drama about his home country's gritty underbelly. Here, a woman named Qiao (played by Zhao Tao) is released from prison after firing a gun to protect her mobster lover (Fan Liao) and is now looking to see what he's up to now.
62. CUSTODY (dir: Xavier Legrand)
67 points
Winner of the Best Director award at the 2017 Venice Film Festival, Legrand's triumphs tells the dramatic story of a tumultuous divorce between an abusive husband (played by Denis Menochet) and his soon-to-be ex-wife (Lea Drucker).
61. HALE COUNTY THIS MORNING, THIS EVENING (dir: RaMell Ross)
68.5 points
An expansive documentary about the lives of black residents living in Hale County, Alabama.
60. THREE IDENTICAL STRANGERS (dir: Tim Wardle)
69 points
This documentary centers on three men who meet one day to discover that they're, in fact, identical triplets who were each separated at birth. The days that follow for them lead to not only media attention, but additional secrets uncovered.
59. MONROVIA, INDIANA (dir: Frederick Wiseman)
69.5 points
Poor Frederick Wiseman. After placing in the top 50 in each of the last five years, I'm afraid that he will only have to settle with a mere #59 this time. Hopefully, he recovers. Anyways, the structure of his latest documentary is largely the same as all his others: a lengthy exploration of a specific location. This time, it's the town of Monrovia, Indiana, and how it ties to some of the other rural-towns at the heart of the American Midwest.
58. CRAZY RICH ASIANS (dir: Jon M. Chu)
72.5 points
An NYU professor (played by Constance Wu) has to deal with the experience of getting married at her fiance's (Henry Golding) rich family's Singapore estate. Hyped as being the first major Hollywood movie with an all-Asian main cast in decades, Crazy Rich Asians was awarded with not just major box office success (finishing #1 on multiple occasions) but also critical acclaim and even awards recognition (such as some Golden Globes and SAG nominations).
57. LADY BIRD (dir: Greta Gerwig)
73 points
After finishing #2 in the 2017 countdown, Gerwig's directorial debut manages to return to the countdown after wowing a whole new audience of people.
56. FREE SOLO (dir: Elizabeth Chai Vasarheyli, Jimmy Chin)
82.5 points
Love documentaries like Man on Wire and Touching the Void? Then you'll likely enjoy this one too, about the mountain climber Alex Honnold and his mission to climb Yosemite's El Capitan rock without a single rope.
55. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (dir: Martin McDonagh)
85 points
Winner of the Academy Awards for Best Actress (Frances McDormand) and Best Supporting Actor (Sam Rockwell), this controversial story about a woman attempting to avenge her daughter's death was greeted warmly by the various European and Australian critics who had finally seen it in 2018. This film had already placed #8 on the 2017 countdown.
54. THE HATE U GIVE (dir: George Tillman, Jr.)
86.5 points
Based on the Angie Thomas book from 2017, this movie takes on some very zeitgeisty topics like police brutality as it follows a young woman (Amandla Stenberg) dealing with having witness a black kid getting killed by an officer while unarmed.
53. SHIRKERS (dir: Sandi Tan)
89.5 points
A fascinating documentary based on director Sandi Tan's experience of directing a short film that her film teacher had stolen the film footage of and never returned.
52. HIGH LIFE (dir: Claire Denis)
90 points
The first of two Claire Denis-directed movies on this countdown is the one that most audiences likely won't get a chance to see until later in 2019, when it gets released for general audiences. It's the acclaimed French director most highly-budgeted and highly-publicized movie yet: an A24-produced film set in space starring Robert Pattinson and Juliette Binoche. The film received mixed reviews in its premiere at Toronto, but still managed to gain enough of a following to just nearly get a top 50 spot on this countdown from the festival circuit alone.
51. THE IMAGE BOOK (dir: Jean-Luc Godard)
92 points
The living legend came out with yet another series of fragmented, color-saturated visual collages, his first since the highly-received Goodbye to Language (#11 on the 2014 countdown). Premiering at Cannes back in May, it talked about ruining of the modern horrors of living in this planet (among other things). Hopefully, it's not the last for the 88 year old.
50. LEAN ON PETE (dir: Andrew Haigh)
93.5 points
A Neorealism-esque movie about a young man (Charlie Plummer) who develops a loving relationship with a racehorse during a tough time in his life, and decides to save the horse from death when it gets an injury. Directed by the man behind 45 Years (#17 on the 2015 countdown) and Weekend (#30 on the 2011 countdown), it's also got Steve Buscemi, and Chloe Sevigny in the main cast.
49. WESTERN (dir: Valeska Grisebach)
94 points
A German worker (Meinhard Neumann) gets an engineer job in Bulgaria, and develops a cross-cultural relationship with many of the local townspeople. This is the second straight year that the Grisebach picture makes the list, after wowing critics and festival goers in 2017 enough to appear at #42 on last year's countdown (making it one of the rare movies to get more points before it was released for general audiences to see).
48. AN ELEPHANT SITTING STILL (dir: Hu Bo)
103 points
Yet another ambitious story in a 2018 full of ambitious projects (see: La Flor and Dead Souls from earlier). Clocking in at 3 hours and 54 minutes, it tells an interconnected plot involving four narratives of people on the brink, during a period in which China enters an economic downturn. This film is sadly marked by tragedy, however, as as film's director Hu Bo (also an acclaimed novelist) killed himself just after its filming following a series of arguments with the movie's producers. The film was edited posthumously, with Hu's family gaining the rights to the finished work.
47. BISBEE '17 (dir: Robert Greene)
111.5 points
A tragic documentary about the gruesome story of thousands of miners in 1917 who, during their strike, were rounded up by police and townspeople and sent by train to the New Mexico desert so that they could die.
46. LET THE SUNSHINE IN (dir: Claire Denis)
112 points
The second Denis movie on the countdown, one which also stars Juliette Binoche. This time, we follow the romantic life of Binoche's middle aged Parisian artist character, in all its messiness and cringe-inducing moments.
45. 24 FRAMES (dir: Abbas Kiarostami)
114.5 points
The final released movie in the United States from the career of the legendary Iranian filmmaker Abbas Kiarostami, who died in 2016. It's an experimental work from him, where he shoots 24 different four-and-a-half minute shorts inspired by a series of photographs and other images.
44. VICE (dir: Adam McKay)
116.5 points
Call it a fatigue over the same filmmaking style he attempted in The Big Short (#12 on the 2015 countdown), but McKay's follow-up to that previous Oscar-winning triumph just didn't have as much acclaim, placing only at #44. Focusing on the life of former Vice-President Dick Cheney (Christian Bale), the film manages to also scrutinize the entire political environment from the last fifty years that made the present what it was by 2018. Amy Adams, Steve Carell, and Sam Rockwell also star.
43. GREEN BOOK (dir: Peter Farrelly)
129 points
Whodathunk that the guy behind Dumb & Dumber and There's Something About Mary would produced one of the more heart-warming dramas of Oscar season? Winner of the Audience Award at the Toronto Film Festival as well as the Golden Globe for Best Motion Picture - Comedy or Musical, it follows a series of trips taken by Mahershala Ali's African-American character, Dr. Don Shirley, and his Italian-American chauffer (played by Viggo Mortensen) through the Deep South in the 1960's during Shirley's piano-playing tour in the region.
42. ISLE OF DOGS (dir: Wes Anderson)
155 points
Wes Anderson has had a pretty great run of movies the last ten years or so. His last two efforts, Moonrise Kingdom and The Grand Budapest Hotel, were not only two of his biggest financial hits, it also got tons of awards recognition and critical appreciation (appearing at #3 in the 2012 countdown and #2 in the 2014 countdown respectively). Isle of Dogs, a story about a young Japanese boy trying to find his lost dog at an island of castaway canines, also got quite a bit of love, although (as you can see by its spot at merely #42 on this year's list), it wasn't that much. Perhaps it was because of the controversy of cultural appropriation. Perhaps it was because of it being animated. Whatever the case, it should still be mentioned that it had a good story with a terrific voice cast (Greta Gerwig, Bryan Cranston, Bill Murray, Edward Norton, Frances McDormand, and more).
41. THE DEATH OF STALIN (dir: Armando Ianucci)
162.5 points
A delightful satire on the Soviet Union during the 1950's, set during the days following the death of notorious dictator Joseph Stalin, as written and directed by the mind behind Veep and In the Loop. Steve Buscemi and Simon Russell Beale star as Nikita Khrushchev and Lavrenti Beria, each of who are furiously chasing to take over as the top of the Communist Party. Jeffrey Tambor, Michael Palin, Olga Kurylenko, and Jason Isaacs also play key roles.
40. TRANSIT (dir: Christian Petzold)
166 points
And in the category of Most Beloved 2018 Movie Not Receiving Commercial Release Until 2019, this year's honor goes to Transit, a story about a Frenchman (Franz Rogowski) who flees the Nazis by impersonating an author, only to encounter the author's wife after the war. It feels like it's in a similar vein to Petzold's previous movie, Phoenix (#11 on the 2015 countdown), which also centers on people experiencing WWII and its aftermath. It will be interesting to see how well this movie does when it inevitably reappears in the 2019 countdown.
39. MADELINE'S MADELINE (dir: Josephine Decker)
182 points
What happens when you tackle sensitive issues like mental illness and family trauma, but do so with interpretative dance and experimental theater? It would probably look something like this picture, about a troubled high schooler (played by Helena Howard) who joins a theater troupe and is used by its director (Molly Parker) for creative inspiration.
38. SUSPIRIA (dir: Luca Guadagnino)
188 points
A year after wowing critics with Call Me By Your Name (#3 on the 2017 countdown), director Luca Guadagnino's next venture went into adaptation mode: re-making the classic 1977 Dario Argento horror, but with more references to Nazis and World War II. To the relief of many, it was found to be not bad at all, but actually quite good!
37. THE HOUSE THAT JACK BUILT (dir: Lars Von Trier)
192 points
It's Lars Von Trier having Matt Dillon play a serial killer. It's as provocative and Von Trier-y as you'd expect.
36. AVENGERS: INFINITY WAR (dir: Anthony Russo, Joe Russo)
205 points
Ten years of Marvel Cinematic Universe movies come to a head in this mega-blockbuster, where pretty much all the main characters from the franchise (the Avengers, the Guardians of the Galaxy buddies, the Wakandas, etc.) get together in an epic, inter-galactic mission to fight Thanos (played by Josh Brolin) as he attempts to gain all the infinity gauntlet items and wipe off half the human population. It finished with not only the highest worldwide gross of 2018, but it also beat the U.S. and worldwide box office record for opening weekends, beating previous record holder Star Wars: The Force Awakens (#21 in the 2015 poll). Should be interesting if the follow-up to this movie (which gets released in the summer) manages to top it with an even higher debut.
35. HAPPY AS LAZARRO (dir: Alice Rohrwacher)
214.5 points
Debuting to raves at Cannes (where it also won Best Screenplay), this second feature from the young Italian director of The Wonders (#64 in the 2015 countdown) tells a story of a young peasant boy (Adriano Tardiolo) through a mix of realism and the fantastical.
34. WON'T YOU BE MY NEIGHBOR? (dir: Morgan Neville)
218 points
A documentary about Fred Rogers, the legendary public television show host of the children's program Mister Rogers' Neighborhood. Over the summer, the film ran a wave of nostalgia and good reviews into a surprisingly successful box office run, becoming the highest grossing of its genre since 2013.
33. PHANTOM THREAD (dir: Paul Thomas Anderson)
219.5 points
One of Paul Thomas Anderson's biggest critical breakthroughs managed to have itself a great 2018 in addition to a great 2017 (where it finished #7 on that year's countdown). Not only did it surprise everyone with more Oscar nominations than was originally predicted (six, including Best Picture), it continued to be beloved by critics, this time those critics outside the U.S. who could finally see it in the late winter-time. This is the highest ranking movie on this year's countdown that would've also been eligible for the 2017 countdown.
32. A QUIET PLACE (dir: John Krasinski)
222.5 points
In a post-apocalyptic world in which a species of alien lifeforms kill any human who makes a sound, we see one family (led by real-life married couple John Krasinski and Emily Blunt) attempt to survive through them in the American heartlands. Thanks to an inventive premise as well as great reviews and great promotion, the film also managed to do well in the box office. It was also nominated for such prestigious awards as the Producers Guild of America Award for Outstanding Production of a Theatrical Motion Picture.
31. PRIVATE LIFE (dir: Tamara Jenkins)
223.5 points
In her first film since 2007's The Savages, Tamara Jenkins explores the story of a middle-aged couple (played by Kathryn Hahn and Paul Giamatti) who are attempted to have themselves a baby. After years of trying to find funding, the movie was finally able to get the money and distribution from Netflix, which is where the movie premiered during the fall.
Coming later this week: Part 2, in which we reveal with movies placed in the 2018 top 30. See ya then!
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